TAIKOCUE 1 SCREEN · 10 KEYS · 0 MENUS

Countdown and show control for live events

The last minute runs itself.

Taiko Cue puts a countdown on the wall, a clock in front of your speaker, and every show action on one keystroke. At sixty seconds the whole screen changes with no operator input — because that is the moment you are least free to be looking at a laptop.

REQUEST ACCESS By invitation while in private trial. Seven days, watermarked.
10:00.00
SHOW BEGINS
The real stage screen, running here. Nothing on this page is a screenshot.

Two clocks

A room and a person need different promises.

Most timers have one clock at two sizes. Taiko Cue has two, because what you tell a room and what you tell the person on stage are different facts — and the day they disagree is the day the show goes wrong.

Stage — the audienceSpeaker
Tellsa room when something startsone person how long is left
Live duringdoors, breaks, changeoversthe talk
At zeroholds, and says GO — a promise keptkeeps counting: +02:14, in red
Overrunneveryes, and visibly

Three screens

Three words, and they never change.

The same three names in the interface, the URLs, the display map and every label. An operator reading a label and a technician reading a setting never have to translate between them.

Nobody else ever sees it

OPERATOR

The control centre. One screen, three columns — the audience's, the speaker's, and your own — and every control sits in the column of the screen it affects.

The audience

STAGE

The wall on arrival and between breaks. Sixteen looks, all resolution-independent: the same screen fills 1080p and 4K identically, with no separate build.

The person on stage

SPEAKER

Their clock, their messages, who is next. A coloured band at the edge of the screen warns them without a glance — a boundary changing colour is readable mid-sentence.

Ten keys

You never navigate. You press one key.

No menu to open, no dialog to dismiss. Shift is always the speaker's: if a key does something for the room, shift does it for the person on stage.

SPACE run the room's clock ⇧SPACE run the speaker's ↑ ↓ time, ⇧ for five R reset B blackout N next speaker ⇧S fire the 60s stinger 1 2 3 house calls T template V send a screen out

Stream Deck

Plug it into USB. It programs itself.

Taiko Cue talks to a Stream Deck directly. It reads the model over USB, sizes a layout to however many keys it has, draws every key face, and remembers that board for that deck. Press a key while the editor is open and that is the key you are editing — you point at it with a finger instead of counting grid positions on a screen.

Top row — the audience's clock Middle — the speaker's Bottom — the house calls

What it does not need

A venue's wifi is not a dependency.

NOTHING TO INSTALL

It runs in a browser. Two windows on one laptop drive the projector and the confidence monitor, kept in step with no server between them.

WORKS OFFLINE

Fonts are self-hosted, the audio is generated rather than fetched, and nothing on the page reaches the network. Unplug it and run the show.

4K, NO SEPARATE BUILD

Every dimension is a proportion of the screen, so the wall gets the same picture at 1920 and at 3840 — no re-export, no second set of assets.

THE FINAL MINUTE, COMPOSED

Three beds — a taiko ostinato, four-on-the-floor, and a cinematic climb — each exactly sixty seconds, generated so the last beat lands on 00:00 to the sample.

Try it

Seven days, watermarked, by invitation.

The trial is the whole product — every template, both clocks, the house calls, the Stream Deck. It carries a watermark on the outputs and runs five minutes at a time, because a timer that says TRIAL on a client's confidence monitor is not something anyone should ship a show with by accident. Currently handed out on request rather than self-serve — get in touch and it's on its way the same day.

One screen. Ten keys. No menus.

Built for the people who run the room, not for the people who demo the software.